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Evans Music-and-Supper Rooms
Evans Music-and-Supper Rooms, (located at 43 King Street, Covent Garden), was an entertainment venue for music and singing in early nineteenth century. The venue provided the type of entertainment which later evolved into music hall.〔Benny Green (1986) ''The Last Empires: A Music Hall Companion''. London: Pavilion Books〕 What would later be known as the Evans Music and Supper Rooms was initially known as the Thomas Archer House. The house was built by Thomas Archer in 1712 for Admiral Edward Russell, the fourth Earl of Bedford's grandson. The House would later be sold to a man names Joy and turned into The Grand Hotel.〔http://www.arthurlloyd.co.uk/evans.htm/〕 Formerly the dining room of the Grand Hotel, a 'song and supper' room was established in the 1840s by W. H. Evans.〔"Evans Music-and-Supper Rooms" in Ben Weinreb and Christopher Hibbert (eds) (1983) ''The London Encyclopaedia''〕 It was also known as Evans Late Joy's, the venue previously being owned by a man named Joy. In 1842 the rooms were taken over by John Paddy Green,〔Baker, p. 2〕 who had been one of Evans's entertainers. Green reconstructed the rooms and maintained their popular reputation. The room was long by wide.〔Cruchley's London in 1865 : A Handbook for Strangers (1865)〕
Evan's existed as the most popular song and supper room in the West End for some time during the late 1800s 〔http://www.arthurlloyd.co.uk/evans.htm/〕 Entertainment was provided by choir boys singing madrigals and glees, followed by older comic singers such as Sam Cowell, Charles Sloman and Sam Collins. The patrons would eat, drink and talk at tables provided and participate in singalongs, sometimes of a "lewd" nature.〔Gavin Weightman (1992) ''Bright Lights, Big City'': 30〕 A repeat performer there in the late 1870s was the comedian Arthur Roberts, who was known for his risqué act.〔Baker, p. 50〕 In 1879, his performance of one of his "saucy" songs caused Evans's to lose its license for a year.〔Baker, p. 3〕 The venue was patronised by William Makepeace Thackeray, who presented it (in a composite portrait with the Coal Hole and the Cyder Cellars, two nearby song-and-supper rooms) as "The Cave of Harmony" in his novel ''The Newcomes'' and as "The Back Kitchen" in ''Pendennis''.〔Benny Green (1986) ''The Last Empires: A Music Hall Companion''. London: Pavilion Books〕
Unlike the later music halls the patrons were male only, until the 1860s, when women were at last admitted. John Paddy Green said in an interview that women aren't allowed in because they are uneducated.〔Locke. Evans's, Covent Garden. Minutes of Evidence taken before the Select Committee on Theatrical Licenses. Mr. J. G. called in and examined. London, 1866.〕 The venue closed in 1880, and in 1930 the upstairs rooms in the building were occupied by the Players' Theatre Club who wished to revive the music hall tradition. The cast became known as the "Late Joys" and have since provided old time music hall entertainment at a variety of other venues.
== References ==
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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